This contribution presents an introductory analysis of one of the key players of the socalled“stenciled revolution” in Flanders in the nineteen sixties. Before concepts likeprovo distressed the entire societal and cultural life in the Netherlands, certain phenomenain Flanders anticipated to this. From 1963, small stenciled magazines shot up likemushrooms in the Flemish literary field. Due to their aggressive stand against the literaryestablishment, the critics quickly caught sight of them and engaged in an energeticpolemic. Because of their involvement in the literary polemics, the stenciled magazinesshortly determined the literary life to a high degree. However, partly due to their complexhistory and short life span, a systematic investigation of this phenomenon has not yet beenconducted. Nevertheless, the underground- magazines of the “stenciled revolution” are invarious ways relevant to a renewed literary history, as they explore both the literary-criticaland the creative-literary boundaries of the traditional contrast between literature andnon-literature. In this article, I focus on one of the most creative-literary oriented of theseFlemish stenciled magazines, namely daele (1966-1968), to gain an insight into the identityof the “stenciled revolution”.
